How effective is the combination of your main product and ancillary texts ?
Our A2 texts include a music video accompanied by a digipak and magazine advertisements.
Artists tend to release their videos, digipaks and advertisements through separate production companies and so depending on the context and theme, we sometimes cannot see a link as clear as we would if all texts were produced through the same company. Because we ourselves are indie video producers with a small budget, we haven't been able to distribute our products through various conglomerates and subsidiaries. This means that we have had to take into consideration all of our target audiences by maintaining a theme across all of the texts. We adapted various elements and aspects of our work to achieve this.
We have used the fact that our audiences vary to our advantage as we have been able to target our primary and secondary audiences how we want to and have therefore been able to convey linked conventions throughout all 3 texts to entice a wider audience.
Distributing and Exhibiting Our Texts:
Exhibiting our videos is perhaps the most important action in promoting our work. Our preferred social networking site to achieve this was YouTube, as it provided us with a platform to add tags to reach our mass market and target audiences. If our video was to be officially released, it would be most appropriate to upload it onto a Vevo account or the official Atomic Kitten channel, as official videos uploaded by Vevo and the artist themselves tend to gain the most views.
Here are the main magazines that we would distribute our mag ads in, in relation to our primary and secondary audiences:
Here are the main magazines that we would distribute our mag ads in, in relation to our primary and secondary audiences:
Primary audience:
- TEEN NOW - 11-17
- LOOK -18-35
- GLAMOUR - 16-34
- BLISS - 13-17
- OK - 25-34
Secondary audience:
- FHM - Target audience 15-34
- NUTS -18-34
On our mag ads, we advertised the digipak as 'available on iTunes' and on the official Atomic Kitten Website. If our digipak was to be produced and distributed, our preferred way of consumption would be via the internet and online consumption websites like Amazon and Play.com would provide excellent platforms for selling our product to a wider audience. This is mainly due to digitisation, as more and more material is being streamed and purchased online and so major high street record shops' profits are falling, for example HMV.
Social media can also play a key role in promotion, as material can be shared and passed on to other users. We set up a Twitter and Instagram account with the username @MKTPProductions for both, which we used for promoting our ongoing and final work.
Key Elements In Our Texts:
Magazine Advertisements
Magazine Advertisements
We researched existing examples of magazine advertisements across the pop genre and those specific to Atomic Kitten to gain an idea of what to include in ours. We created 5 teaser ads and 3 final ads:
For our teaser ads, there were 2 main features that we wanted to focus on the most and these were narrative enigma and the use of kittens. We featured the kitten in 2 of our 5 teaser ads, as we did not want to over use this idea. The most effective one out of the 2 was the first one that we created. This simply featured an image of the kitten with our QR code layered on to its chest. The tongue sticking out creates a more fun and relaxed appeal, which will help in attracting our younger audience. Recently across all social media sites, there has been a growing phenomena based on cats performing amusing tricks or memes of cats. We thought that because our group is called Atomic Kitten, it would create a nice link to this public cat obsession by featuring a kitten in our adverts. The second feature was narrative engima. We thought that applying this theory to the teaser mag ads would help us to build up anticipation and keep the audience intrigued. The first ad featuring narrative enigma included an image of one of the group members facing away from the camera, holding a feminine, sassy pose. We then layered a QR code onto her lower body, to subtly reflect the Male Gaze Theory. The second ad featured an image of the whole group with their back to the camera, with an image of rose petals and candles layered on top. We reduced the opacity of this image so that you could see both images. This was one of the ads that we used to convey the romantic theme seen in the digipak and music video. The final teaser included 3 individual photos of each member holding a lit candle, which had been edited to fit together in to one complete image. We then again layered the QR code onto the middle candle, to build suspense.
Group ad |
In total, we have 4 final mag ads. These involve one individual ad for each member and then a group one. We created this as it is common for well-known artists to include more than one advertisement in the same issue of a magazine or a double page spread, to really push their product and so that audiences will be more likely to notice the advertisements. For the individual ads, we used new images of the members to add to the visual variety, and included the artist name in the same font and colours as the digipak, as I mention later on. We also included text advertising the digipak and bonus DVD, along with a small image of the digipak so make readers aware of what to look for. 2014 tour dates were also included, which can be viewed as a reflection of the groups recent reunion. The group ad that we created includes all the same text as the individual texts, as the only thing different is the image. The image we chose was one where the group are leaning on each other to signify the unity and connection between the group.
Digipak
Final digipak |
Music Video
Clicking and lip syncing |
Black and white narrative |
Our narrative section was based on a couple. This section was black & white, so that audiences could differentiate between the performance and narrative, and this element proved to work very effectively. The narrative is linear, and the romantic theme has been carried across to be included in the other 2 ancillary texts.
How are the three texts linked?
Throughout all 3 texts, we conveyed a professional and sleek theme. This is portrayed through many different aspects:
Blue dresses on the digipak |
Blue dresses in the video |
Mag Ad - various font colours and blue dresses |
The fonts that we used can link together in other ways than just the colours. We downloaded various appropriate fonts offDafont.com and used them for both the magazine ads and the digipak. These fonts were considered greatly before we finally decided upon which ones to use for our final products, as it was important that these fonts worked well together and gave off a professional impression to the audience. Our final products display how well these fonts compliment each other and how they work together to be aesthetically pleasing for the audience.
Studio location |
Roses and candles in the digipak |
Roses in the video |
Smiling/laughing image in the lyrics booklet |
attracted to colourful and happy texts as it stimulates their brains and this then keeps them engaged for longer. Because of this, we used the relaxed shots in the video to make them feel more comfortable when watching the video, and we again used various font colours as well as appealing photos in our digipak and mag ads to make more eye catching products to keep them interested and more inclined into remembering the information provided.
Laughing shot in the video |
In What Ways Are They Different?
As much as we have tried to make our texts link together, there were some elements that we could not portray across all 3 texts:
The main feature that readers will not be able to link together is the narrative. Although we have carried the romantic theme of the video across to the ancillary texts, we found it difficult to find an effective way of linking the narrative into the ancillary texts. Although the music video is effectively promoting the digipak, it is only promoting one single on the album and so we felt it would not completely work if we included the narrative in our digipak, as readers may become confused if they are unaware of the video. For this reason, we decided it was perhaps better to keep the narrative conveyed in the music video only. Because the mag ads are also promoting the digipak, it would have again not totally linked together and flowed if we included the narrative in the ads and not the digipak. It could be argued however that by incorporating the romantic theme into all 3 texts, we have in some subtle way portrayed the narrative, as those who have seen the video may be able to see the link. This links in to Halls preferred reading and the Uses and Gratifications theory, as the audience who have seen all 3 texts combined will be able to choose how they want to read and interpret the petals and candles used throughout, and so they can decide whether there is a link there or not.
Smiling and appealing image on the lyrics booklet |
Crying shot in the video - conveys a sad narrative |
We didn't include the narrative characters in each of the texts either as we again didn't want to confuse the readers if they were unfamiliar with the video. This was also because, as mentioned earlier, the video is only promoting one track on the digipak and so the characters would be irrelevant to every other song.
What Would We Change Given More Time/Resources?
Effects in Photoshop during the editing process of the digipak |
e simply could not include any more locations due to access issues and our limited time scale.
Time management could have been improved throughout the production processes. Although we have finished everything in a relatively short period of time after re-pitching our idea, we still could have improved our time management by updating our blogs on a daily basis and blogging on things as they happen, for example after creating new rough cuts and drafts uploading them and blogging on them straight away.
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